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If you were born in the 60s or 70s, you'll definitely remember these 8 nostalgic Christmas movies

These eight Christmas specials from the 60s and 70s created traditions that shaped how an entire generation experienced the holiday season, and their influence echoes through family living rooms decades later.

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These eight Christmas specials from the 60s and 70s created traditions that shaped how an entire generation experienced the holiday season, and their influence echoes through family living rooms decades later.

Every Christmas growing up, my parents insisted we watch Rudolph.

Not just any version. The 1964 claymation special with the Island of Misfit Toys and Burl Ives singing about being a holly jolly Christmas.

I'm in my forties, born well after these specials first aired. But my parents, who grew up in the 60s and 70s, treated these movies like sacred tradition. We had to watch them. At specific times. With specific snacks.

I didn't understand the attachment until I got older and realized these weren't just movies to them. They were the soundtrack of their childhood Christmases. The thing every kid watched. The shared cultural experience that defined the holiday.

Media consumed during childhood creates powerful emotional anchors that adults return to throughout their lives. These Christmas specials became interwoven with family memories, making them irreplaceable parts of holiday identity.

Here are eight movies that people born in the 60s and 70s will absolutely remember.

1) Rudolph the Red-Nosed Reindeer (1964)

This is the one everyone knows.

The claymation style. The Island of Misfit Toys. The Abominable Snow Monster. Hermey the elf who wants to be a dentist. Yukon Cornelius and his pickaxe.

For people who grew up in the 60s and 70s, this special was an event. CBS aired it once, maybe twice a year. You couldn't stream it whenever you wanted. You watched it when it was on or you missed it.

My parents can recite entire scenes. They know every song. When I was growing up, they'd get genuinely excited when it came on TV, like they were kids again.

The message about misfits finding their place resonated deeply. Rudolph wasn't just a reindeer with a weird nose. He was every kid who felt different, who didn't fit in, who wondered if they'd ever belong.

That story hit differently in the 60s and 70s when conformity was even more enforced than it is now. Rudolph gave outsider kids hope.

2) A Charlie Brown Christmas (1965)

This one transformed what a Christmas special could be.

No laugh track. Real kids' voices. Jazz soundtrack by Vince Guaraldi. And Linus explaining the true meaning of Christmas by reciting scripture from the Gospel of Luke.

Network executives thought it would fail. Too slow. Too quiet. Too serious.

Instead, it became iconic.

My mother talks about watching this the first year it aired. She was seven years old. She remembers being struck by how different it felt from other TV shows. How it didn't talk down to kids. How it acknowledged that Christmas could feel commercial and empty.

The special tackled depression and meaning in ways children's programming rarely did. Charlie Brown asking "Isn't there anyone who knows what Christmas is all about?" voiced what a lot of kids felt but couldn't articulate.

And that scraggly little tree? That became a symbol. You didn't need the perfect Christmas. You needed love and connection.

3) How the Grinch Stole Christmas (1966)

Boris Karloff's narration. The songs. "You're a Mean One, Mr. Grinch." The Whos singing even after their presents were stolen.

This wasn't just a Christmas special. It was a cultural phenomenon.

Dr. Seuss adapted his own book, and the result was something that spoke to both children and adults. The Grinch's heart growing three sizes became shorthand for redemption.

People born in the 60s and 70s watched this annually, often multiple times. It played on repeat through the holidays. And unlike later Christmas content, it had something to say about materialism and what actually matters.

When I experienced burnout at 36 and started re-evaluating what success meant, I thought about the Whos singing without their presents. The message had stayed with me decades after watching it with my parents.

4) Frosty the Snowman (1969)

"Happy birthday!"

If you grew up in this era, you can hear Frosty's voice when you read that.

This special had everything: magic, friendship, a race against time as Frosty melted, and Professor Hinkle as the bumbling villain. Kids watching in the 60s and 70s were devastated when Frosty melted and overjoyed when Santa brought him back.

The special dealt with loss in a way that was accessible to children. Frosty had to leave. He'd be back someday, but right now, he was gone. That was hard for kids to process, but important.

My father talks about watching this and crying when Frosty melted, even though he knew the ending. The emotional investment was real.

5) Santa Claus is Comin' to Town (1970)

This one explained Santa's origin story.

How he started delivering toys. Why he goes down chimneys. Where the reindeer came from. Who Mrs. Claus is. How he got his red suit.

For kids in the 70s, this special answered questions they'd been asking. It created a mythology around Santa that felt coherent and magical.

The animation was Rankin/Bass's signature stop-motion style. Mickey Rooney voiced Santa. The villain, the Burgermeister Meisterburger, banned toys, creating stakes that made the story compelling.

People who watched this as kids remember the songs, the origin details, and the feeling of discovery. They were learning the "true story" of Santa Claus.

6) The Little Drummer Boy (1968)

This one was heavier than the others.

Aaron, a young drummer boy, becomes bitter after his parents are killed. He travels with his animals, refusing to play his drum for anyone. Eventually, he plays for the baby Jesus.

The special didn't shy away from grief and trauma. Aaron was an orphan dealing with loss. That wasn't typical children's programming content.

But it resonated. Stories that acknowledge difficult emotions help children understand and cope with their own experiences. The Little Drummer Boy gave kids permission to feel sad while still finding hope.

My mother remembers this one being shown less frequently than others, but when it was on, it felt special. More serious. More meaningful.

7) The Year Without a Santa Claus (1974)

Heat Miser and Snow Miser.

If you know, you know.

These two characters singing about being "too much" became the breakout stars of a special that was actually about Santa feeling underappreciated and deciding not to deliver presents that year.

Mrs. Claus and two elves set out to prove that people still believe in Christmas. They encounter the Miser Brothers, who control weather and have one of the most memorable musical numbers in Christmas special history.

Kids in the 70s loved this one because it was funny, colorful, and had incredible songs. As adults, people realize it was also about burnout and needing reassurance that your work matters.

I relate to Santa's exhaustion more now than I did as a kid. Sometimes you need to know people appreciate what you do.

8) Nestor, the Long-Eared Christmas Donkey (1977)

This one is lesser known but deeply remembered by people who saw it.

Nestor is a donkey with comically long ears. He's mocked and rejected. His mother dies protecting him from a snowstorm. He ends up carrying Mary to Bethlehem, where his long ears shield the baby Jesus from cold wind.

It's heartbreaking. Nestor's mother's death traumatized an entire generation of children. But the story about being different and finding purpose resonated deeply.

This special wasn't shown as frequently as the others, which made it feel rare and special when you did catch it.

Final thoughts

Here's what strikes me about these specials: they took children seriously.

They dealt with themes like belonging, loss, grief, materialism, and purpose. They didn't talk down to kids or assume they couldn't handle complex emotions.

Content that acknowledges difficult feelings while offering hope contributes to emotional development and resilience. These specials did exactly that.

They also created shared experience in a way that's harder to replicate now. Everyone watched the same specials at the same time. You talked about them at school the next day. They were cultural touchstones.

My parents' generation experienced this in a unique way. Limited channels. Limited airings. No DVRs or streaming. If you missed it, you missed it until next year.

That scarcity made them precious. You gathered around the TV as a family. You had hot chocolate and cookies. You sang along with the songs. It was ritual.

I watch these with nostalgia for something I didn't even experience directly. I'm nostalgic for my parents' nostalgia. That's how powerful these specials were.

When Marcus and I started spending holidays together after meeting at a trail running event five years ago, we had to negotiate which traditions mattered. For me, watching Rudolph and Charlie Brown wasn't optional. They were woven into what Christmas felt like.

If you were born in the 60s or 70s, these movies probably shaped your childhood Christmases in ways you don't fully realize. The songs became your holiday soundtrack. The stories became metaphors you still reference. The traditions became what you passed down to your own kids.

And honestly? They hold up. The animation is charming. The stories are solid. The music is genuinely good. They've lasted because they were made with care and respect for their audience.

So this holiday season, if you're looking for your kids or grandkids, pull up one of these classics. Tell them about watching it when you were young. Share what it meant to you.

These specials aren't just entertainment. They're time capsules. They're connection across generations. They're proof that good storytelling transcends era and technology.

Plus, you probably still know all the words to "Heat Miser's Song." Might as well share that gift.

 

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Avery White

Formerly a financial analyst, Avery translates complex research into clear, informative narratives. Her evidence-based approach provides readers with reliable insights, presented with clarity and warmth. Outside of work, Avery enjoys trail running, gardening, and volunteering at local farmers’ markets.

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