The overtime wasn't about money—it was about engineering a childhood that sounded different from the one still rattling around in my chest.
The first year I really went overboard on the holidays, I was in my early thirties and had just moved to California. I remember standing in a Whole Foods in Venice Beach on Christmas Eve, loading my cart with ingredients for a feast nobody had asked me to make—plant-based roast, three kinds of sides, a dessert that required a kitchen torch I'd bought specifically for the occasion—and feeling something I hadn't expected: relief.
Not because I needed all that food. I was cooking for myself and my partner, who would have been perfectly happy with takeout. But because the abundance of it—the overflowing bags, the specialty ingredients, the sheer excess—felt like a wall I was building between myself and a memory I'd been carrying since childhood.
The memory of Christmas mornings that were careful. That's the word I keep coming back to. Careful.
The Silence I Was Running From
People who grew up with enough don't know about the silence. I don't mean the absence of noise—there was plenty of noise in our house. I mean the specific quiet that settles over a family when everyone has agreed, without saying so, to want less.
My mother was a master of it. She could reframe deprivation as preference so smoothly you almost believed her. We don't really do big Christmases. We're not that kind of family. She said it the way you'd describe a lifestyle choice, not a budget constraint.
And my father went along with it because what else could he do? He worked at a bottling plant. He came home smelling like industrial cleaner and ate dinner standing up because sitting down meant he might not get back up again.
Christmas morning in our house was negotiated. A few gifts each, nothing extravagant, the kind of presents that came from the sale aisle at the drugstore and were wrapped in newspaper comics because wrapping paper was an expense my mother considered frivolous.
And we were grateful. I want to be clear about that. We were genuinely grateful. But gratefulness and grief can live in the same room, and they did, every December 25th, sitting across from each other at our kitchen table while my mother served pancakes shaped like Christmas trees because pancake batter was cheap and love, at least, was free.
There's a body of research on what psychologists call economic scarcity and its cognitive effects—how growing up without enough doesn't just limit what you have but reshapes how you think. It narrows your bandwidth. It makes you a permanent calculator, always running numbers in the back of your mind, always scanning for the gap between what's needed and what's available.
I didn't know the term for it then. I just knew that by the time I was nine, I could read my mother's face when she opened the electric bill the way other kids read comic books—fluently, instinctively, with a sinking feeling in my stomach that had become so familiar it was almost comfortable.
What Overcompensation Really Bought
My partner—who is not vegan, for the record, and who handles our philosophical differences with more grace than I probably deserve—used to watch me spiral into holiday preparation mode every November and ask, genuinely puzzled, Who is all this for?
And I'd give her the easy answer: I just like doing it. Which was partially true. But it wasn't the whole truth.
The whole truth was that the elaborate meals, the carefully chosen gifts for friends, the insistence on hosting—all of it bought me a kind of control I'd never had as a child. It let me be the architect of December instead of its hostage. Every dish I prepped, every table I set, every gathering I orchestrated was another layer of insulation between the present and the feeling I carried—the feeling of being a kid who understands, too early, that your parents' love is not the variable. The variable is everything else.
I did this for years. Friendsgivings that took three days to prepare. Christmas dinners where I'd cook for ten people, most of whom would have been just as happy ordering pizza. I threw myself into it the way I used to throw myself into writing—obsessively, almost compulsively, as though the quality of the holiday was a direct measurement of how far I'd traveled from that quiet kitchen with the newspaper-wrapped gifts.
The things lower-middle-class kids never got to experience weren't luxuries in the way wealthy people understand luxury. They were normalcies. The baseline that other families stood on without noticing it was even there. I wanted to stand on that baseline. I wanted to build it under everyone around me, too—friends, partner, anyone who showed up at my table.
I wanted to create the kind of uncomplicated holiday warmth that has no math in it. No quiet calculations. No scanning anyone's face to see if their enjoyment was real or performed.
The Cost I Didn't Calculate
Here's what nobody tells you about building a present that's engineered to contradict your past: you can succeed at it and still lose something in the process.
What I lost was the ability to actually be in any of it. I was so consumed by the production of the holiday—the cooking, the hosting, the making sure every detail projected abundance—that I was never really present for the experience itself. I'd spend Christmas Day in the kitchen, emerging periodically to refill someone's glass or deliver another course, and by the time everything was done, I was so exhausted I could barely hold a conversation.
Research on what psychologists call parental work-family conflict has a broader application than just parents—it extends to anyone whose sense of duty eclipses their capacity for presence. The toll of performing generosity compounds over time. You become a kind of ghost in your own traditions—the person who makes everything happen but never quite inhabits what they've made.
And the thing about growing up in scarcity is that it doesn't just make you want to provide—it makes you pathologically unable to stop providing. Scarcity research from behavioral economists like Sendhil Mullainathan has shown that the experience of not having enough creates a tunneling effect, where you become so focused on filling the deficit that you can't see what you're sacrificing to fill it. I was so locked into creating the holiday I never had that I couldn't see I was creating a different kind of absence—not the absence of food on the table but the absence of a person who could sit at it without an agenda.
What I Actually Learned
Last year, my partner said something that split me open. We were cleaning up after another marathon Christmas dinner I'd hosted for friends, and she was drying a pan, and she said—not unkindly, but with the kind of honesty that only someone who's watched you for years can deliver—You know what I notice every holiday? You do all this, and then you're too tired to enjoy any of it. It's like you're not even here.
She wasn't angry. That's what made it land so hard. She said it the way you describe weather—factually, without blame, like she'd long ago accepted it as the climate of our relationship in December.
And I realized that I had succeeded in keeping my childhood silence out of my adult life only to install a different one. Not the silence of negotiated expectations and careful wanting, but the silence of a person who is technically in the room but functionally elsewhere—so exhausted from engineering joy that he can't stay present to witness it.
The things we carry from our upbringing into our adult lives aren't always the obvious ones. Sometimes they're inverted. Sometimes the child who grew up with too little becomes the adult who gives too much—not of money necessarily, but of himself, his energy, his presence traded for the performance of abundance he's convinced everyone around him needs.
And the people in his life don't receive what he thinks he's giving. They receive what's actually there—which is the effort and the exhaustion and the particular shape of a man who loves them so fiercely that he disappears in the act of proving it.
The Year I Stayed Still
This past Christmas, I didn't host. I didn't cook a seven-course meal. I didn't spend three days prepping.
My partner and I stayed home. Just the two of us. I woke up early out of habit and lay in bed listening to the house breathe. She was beside me. The neighbor's dog was barking at something outside. The morning light in Venice Beach has this particular quality in December—softer than you'd expect, almost gentle.
And I felt something I hadn't felt on Christmas morning since I was maybe six years old, before I learned to read my mother's face, before I understood what was being managed and what it cost.
I felt the absence of effort. The morning was just there—unengineered, unearned by exhaustion, not built from the raw materials of my anxiety about what everyone might feel. It was a Tuesday feeling on a holiday. Ordinary. Unperformed.
And it was, without question, the most generous Christmas morning I have ever experienced.
I made pancakes. Not because batter was cheap—though it is—but because somewhere in the back of my mind, my mother's hands were moving over a griddle, shaping something she couldn't afford into something that looked like celebration. I shaped them like Christmas trees. My partner came into the kitchen and laughed and said, These are adorable. Where did this come from?
And I told her. The whole story. The newspaper wrapping paper. The careful mornings. My mother's face and the electric bill. All of it.
Going vegan eight years ago taught me something I didn't expect it to—that the most powerful way to live your values isn't through grand performances but through quiet, consistent presence. Show, don't tell. Be in it instead of building it. The best meals I've shared with people haven't been the elaborate ones. They've been the simple ones where everyone was actually there.
I called my mother afterward. She's getting older now, and our conversations have taken on a quality I'm still learning to sit with—a tenderness that neither of us would have been comfortable with twenty years ago. I told her I'd made pancakes. She was quiet for a long time.
Then she said, The tree-shaped ones?
I said yes.
She didn't say anything else for a while. She didn't need to. Some silences aren't empty. Some silences are the sound of two people standing on opposite ends of the same memory, recognizing each other across decades of trying to make it mean something different than it did.
And I thought—maybe for the first time—that what we could manage was enough. Maybe it always had been.
